So I’ve officially got one week of my sophomore year of college under my belt, and things are, predictably, insane. Class and meetings and homework and meetings and homework and people and homework: such is my life right now. As you may or may not have noticed, it’s been about two weeks since my last blogpost because of all the constant interferences of all the other things on my “To-Do” list, and that will probably be the case for most of the semester. However, as I am such a considerate and kindly blogger, I will do my very rootin’ tootin’ best to update the blog at least every two weeks—I mean, after all, someone’s gotta keep you entertained as you drown in books and papers, right? Feel free to harass me if I ever get past the two-week mark without posting.
Also, I just wanted to give a quick thank you to anyone and everyone who reads this blog. I’ve had several people mention it to me since I’ve been back on campus, and it’s great to know that people are out there enjoying what I write—and I hope I can continue to make you laugh!
On to the post: this is a story centered on my lameness and/or my tendency to be a freak. My sophomore year of high school, I went through an obsessive phase—and when I say “obsessive,” I’m being gentle. The two obsessions that particularly took over my life during this time were quite possibly the two worst things that anyone could ever admit to enjoying: the Twilight series and Cobra Starship. Neither of these obsessions is the subject of this blogpost, but they will probably serve as the subjects of several blogposts in the future, as they provide ample opportunity for self-deprecation. No, the obsession I’m going to tell you about deals with a little band called We the Kings—see the video below for a demonstration of their paltry talent.
In the tenth grade, I desperately wanted to be cool. In fact, I was so determined to reach this social status that being cool became my priority numero uno. (Well, I guess I should say feeling cool became my priority numero uno, because being cool isn’t really a state of existence that I could ever qualify for.) Finding a formula for “coolness” was no easy task, however, as I knew very few people whom I considered even moderately socially acceptable, much less swag-tastic. At a loss for inspiration, I turned to the one person who had always had a kind of intriguing, Paul-Newman-“I-don’t-give-a-shit” cool factor: my brother.
When we were younger, my brother and I were definitely not the chummy, “I’ve got your back” kind of siblings—we were the “let’s make fun of each other until one of us cries” kind of siblings. He once ground pepper into my eyes when I was a wee child, and during my tweens he told me that we couldn’t be friends until I had my braces removed. Despite this harsh treatment, I always looked up to him as the baller of the family (metaphorically speaking, of course; he wasn’t very good at basketball and/or any sports)—so, naturally, when I needed to learn how to be cool, I analyzed my brother: his personality, style, social activities, favorite brand of breakfast cereal, you name it. (Some call that methodology “creepy,” I call it “research.”) After a thorough investigation into the matter, one factor seemed to dominate all others in its coolness level: music.
I, like every other human being on the planet Earth, have, of course, always loved music; it’s just natural, like babies loving breast milk, dogs loving to stick their heads out of car windows, Charlie Sheen loving tiger blood. But loving music and being a music expert are two very different things, and it was this jump that I decided I needed to make in order to climb the rungs of the social bunk bed, so that I might one day lie on top. Never having been musically inclined in any way, shape, or form—trying to read music, to me, is like trying to decipher interviews with Charles Manson or trying to translate a Shakespearean soliloquy into meows so that it might be performed by my cat—I decided that, rather than becoming an expert on music myself, I would become an expert on actual experts (and I use that term loosely) of music. Hence the obsess-a-thon began.
Roughly eight months into this complete loss of self-awareness and illusion of hip-ness, as my collection of band-tees, Chuck Taylors, and skinny jeans began to skyrocket, my best friend Rachael and I traveled (i.e. were driven by my parents) to a Cobra Starship show in Columbus, Ohio, where we found an amazing new band to fall in love with: We the Kings. Now, at this point, I was already a highly-experienced, semi-professional fangirl: I spoke of band members like they were my dear friends, I held a disturbingly large amount of knowledge about their lives, I stayed up all hours of the night, desperately hoping they would respond to my MySpace messages (yes, at this point, I still used MySpace—it was my main source of creep material). I was essentially a basket case clothed in Cobra Starship memorabilia. So when I saw that eighteen-year-old, blue-eyed, lip-ringed singer with knotty red hair, the two shy, nerdy guitarist brothers, and the too-cool-for-school, slightly creepy drummer, I knew I was destined to become obsessed with them. And so I did.
Travis, Hunter, Drew, and Danny were the greatest of pals to me. They were there whenever I needed them, singing of heartbreak (which I had never experienced, but which I somehow felt that I completely understood through their pure poetry), telling me to “stay young,” making an entire song out of the word “whoa,” and, perhaps best of all, describing the romance of base jumping (or possibly of committing suicide, I never quite decided which.) I followed their respective blogs, Twitters, MySpaces, Facebooks, YouTube channels; I always knew which cities they were playing in, which of their friends (yes, I knew who their friends were) they’d bring on tour, what kind of snacks they were keeping in their fridge. I don’t think I could have been more of an expert on them even if I had lived on their tour bus and watched them sleep at night (which I’m pretty sure I fantasized about on a regular basis). Amazingly, none of this ever struck me as something to be concerned about. It was just normal life: go to school, do homework, stalk bands, get a fraction of sleep, repeat. In fact, I honestly felt cooler than I had ever felt in my life—which just goes to show you what a foggy, broken, graffiti-ed funhouse mirror we so often see ourselves in. (*steps off soap box*)
One day, after anxiously awaiting hours for We the Kings to release the dates for their upcoming, highly-anticipated (by me and Rachael, at least) “Long Hair, Don’t Care” tour, a beacon of light shown down upon my lowly, insignificant being: they were coming to Louisville. I squealed. I screeched. I flailed on the floor and foamed at the mouth like I had been bitten by a rabies-infected Chihuahua. I simply could not contain my raucous joy. I immediately texted Rachael, who was equally as excited/practically incapacitated by the news, and we purchased tickets for what would surely be the greatest Tuesday night of our lives.
The big day came and I was a wreck. What do I wear? When should we get there? Will we get to meet them? Am I absolutely positive I know all the songs by heart? Will they sing to me from the stage? Will they be my best friends? Will I pass out before I even get there? I couldn’t concentrate in school: European history, French class, English, who cares? Travis, Hunter, Drew, and Danny, pure gods among teenage guys, were going to be in my city in only a few short hours.
When I got home that afternoon, I went to work trying to plan out my outfit. I had come to notice that most girls tried to slut it up (many of whom had nothing to actually slut up) when they went to these shows, but I knew better. These guys in these bands don’t want the shallow, hot girls; they want the cool, chill girls who are pop-rock classy without really trying—a.k.a. me. So I put on some skinny jeans, some classic black Chucks, a (delightfully soft) American Apparel t-shirt, and a string of fake pearls. Yeah, that’s right, pearls. What seemed ingenious to me at the time I now realize was pretty preposterous. But, dressed to impress and driven by my father, Rachael and I headed to the venue.
When I got home that afternoon, I went to work trying to plan out my outfit. I had come to notice that most girls tried to slut it up (many of whom had nothing to actually slut up) when they went to these shows, but I knew better. These guys in these bands don’t want the shallow, hot girls; they want the cool, chill girls who are pop-rock classy without really trying—a.k.a. me. So I put on some skinny jeans, some classic black Chucks, a (delightfully soft) American Apparel t-shirt, and a string of fake pearls. Yeah, that’s right, pearls. What seemed ingenious to me at the time I now realize was pretty preposterous. But, dressed to impress and driven by my father, Rachael and I headed to the venue.
The first opening act was set to start at eight, so, expecting a large crowd of people and wanting to guarantee ourselves spots close to the stage, we got there at six. We were the first fans there; actually, I’m pretty sure we were only a few minutes later to arrive than the bands themselves. Rather than feeling embarrassed, this discovery thrilled us: we were first. The venue was a shady, dilapidated shack of a building in the most white-hick-trash part of town: not the first place you’d expect a super awesome, mega-popular rock band to be playing, and definitely not a place my father was going to leave two teenage girls to wander around alone, so he decided he needed to stay for the remainder of the evening. “Just don’t hang around us when we get in there, okay?” Upon arrival at the venue, I suddenly realized something that every fangirl (or perhaps every hipster, depending on the situation) wishes, hopes, and dreams they can claim: I saw We the Kings before they were famous.
A few years earlier, my brother had played bass in a band that had had shows in some local venues. One of these shows had been in this peeled-paint sketch-house, and a little unknown band (at that time calling themselves “De Soto”) from Bradenton, Florida also happened to play a set at this show. When the memory ran through my head and I recalled the crazy, Miss-Frizzle-style hair flipping around on that stage, I had a conniption. My personal coolness level has just shot through the freaking roof, I thought to myself. Rachael was insanely jealous. I was on Cloud Nine.
As we sat in our car in the parking lot, having to wait until the venue actually opened, we realized that all of the tour buses were parked right across from us. We made very high-pitched noises, like a boiling teakettle might make during an earthquake (assuming it doesn’t get ejected from the stovetop during the calamity). We scrambled to look through the windshield, patiently awaiting any possible activity from a band member. My father was perturbed. Suddenly, two members of another favorite band of ours, The Cab, walked to the front of their bus and started jamming on a couple acoustic guitars, singing and joking and laughing. “Ohmygod, ohmygod, ohmygod, ohmygod, they’re so amazing, I’m gonna die! *squeal squeal*” We stalked them intently for several minutes, periodically pinching each other to make sure we weren’t dreaming (especially since, the week prior to the show, all of my dreams consisted of situations exactly like the one that we were in). My dad tried to point out our ridiculousness to us, but it was all for naught. We were lost in Cray-Cray Fangirl Land, and we weren’t making a trip back to reality any time soon.
At seven o’clock my dad briefly broke into our bubble to inform us that the doors to the venue were now open. I’d like to say that we leapt out of the car like professional Russian ballerinas, but I’m pretty sure we stumbled out of the vehicle, as we were practically blackout drunk with excitement. Random tour bus drivers and venue workers were puzzled, and probably rather frightened, by our behavior, but we took no notice. Must. Get. Close. To. Stage. We were indeed two of the first people through the doors, even preceding crew members who were carrying in the final pieces of equipment. We decided, of course, that no concert experience is complete without plenty of merch, so we made a bee-line for the merch tables and whipped out our wallets. Other than The Cab, we hadn’t heard of any of the opening bands, but we bought their merch anway: surely if they were opening for the musical geniuses of We the Kings, they must be at least moderately talented, and chances were good that their members were young and attractive. T-shirts? CD’s? Slap bracelets? Yes, please.
To our surprise, a couple of guys working the table for a band called Valencia started hitting on us. They weren’t particularly cute or anything, but when you’re fifteen and a twenty-year-old guy touring with bands hits on you, you get excited. We chatted with them for a while, but soon realized that more people were filling the venue, and we needed to get our spots next to the stage. We waved goodbye to the semi-hotties, shot each other an “oh em geeeeeee,” and weaved through the crowd to get up to the stage. Now, when I say “crowd,” I’m referring to the kind of crowd you’d see at a coffee-house poetry reading or a gay rights rally in rural Kentucky or a reunion of people who’ve walked on the moon (which, depending on your tendency toward conspiracies, could be zero.) There were maybe fifty people there. And I’m being generous with that estimate. It was probably more like thirty, including all the merch table workers, technical crew members, and venue operators (and, of course, my father, creepin’ in the background). This was not the turnout that we were expecting—and probably not the turnout that the band was expecting either. It just so happened that, on that same night, a band of similar make and model was playing at a more reputable venue in a hipper part of town, and this divide caused several local We the Kings fans to bail out. But Rachael and I were there, steadfast in our undying love for them. And also able to be no more than five feet from the members of each band that played that night. That right there is called strategery, my friends.
The first couple of bands played, and they were pretty good. They probably seemed even better because we were in such close proximity and could see every drop of sweat that poured off their faces and every handwritten set list and every pluck of a guitar. Throughout the first two bands’ sets, we continually saw my father in various locations in the venue. One minute he’d be in the crowd, the next minute he’d be sitting at the bar, the next minute he’d be fake-looking at merchandise, the next minute he’d be outside and peering in through a window with only his eyes visible. If my father weren’t certifiably insane, I would think he was a spy for the CIA (maybe he is and the “I-talk-to-myself-all-the-time-and-eat-Little-Debbies-in-the-bathroom” thing is all an act; who really knows).
One time when I was peering around behind us to find him, I noticed the owner of the venue stationed right where I had remembered her being a few years ago: she was right next to the bar, in her Hoveround. This was not your typical teenage-rock-show venue owner. She was old. She looked like she had bit the big one several years prior and was slowly shriveling and decaying. She had an oxygen tank connected to her power chair and she was dragging long and hard on a cigarette. She wore the angriest grimace I had ever encountered, and one look at her face made you feel like you’d just spent a week at one of those brat boot camps. God forbid if you forgot to pay for your drink at the bar or tossed a gum wrapper on the floor: she’d come at you with the ferocity of ten thousand rabid dogs and she’d feast on your guts in between smokes. She was frightening. And yet, despite how afraid I was of being kicked out and/or beaten with her oxygen tank, I couldn’t help but laugh at her. Luckily, because of all the loud music, she couldn’t hear a thing (though she probably couldn’t have heard a thing anyway).
When Valencia came on to play their set, Rachael and I discovered that the semi-hotties from the merch table were in the band. And they were looking right at us. We freaked. In fact, we were in fangirl heaven for a good twelve seconds—that is, until the band actually started playing and they were terrible. To make matters worse, one of the merch table guys was the bassist, who happened to be standing right in front of me, and he would “rock out” on his bass so hard that I was almost fatally injured several times. He would sway back and forth with such force, the neck of his bass coming dangerously close to my face each time, the sweat from his hair spraying right into my eyes. Obviously, after only a couple minutes of this, I was livid. Hey! Guy! Can’t you see me right in front of you? I’d like to keep my head attached to my body tonight, if at all possible! I attempted to get his attention, but he was “in the zone”—or maybe he just couldn’t hear me, but I refuse to believe that as I was yelling almost directly into his ear—to no avail. Luckily, I got into a pretty solid rhythm of ducking whenever he swung his bass at me, to the point where it kind of looked like I was dancing, rather than retreating from constant attacks by a sweaty bassist. (It could be my imagination, but I’m pretty sure other people started imitating my duck-and-lean dance, so I must have looked pretty awesome.) I honestly don’t remember any of the songs that they played or any of the lyrics—except for the term “back door,” which was somehow a part of a song, and for which I could still, to this day, sing you the correct notes. I am also somehow still on their email list, though I have officially opted out approximately twelve times.
When The Cab was about to come on, we were mega excited. The members of The Cab hadn’t even graduated from high school yet—meaning fantasies about dating/marrying/having children with them were actually kind of realistic. (Okay, maybe “realistic” is the wrong term; probable? appropriate? less creepy? Yeah, one of those.) However, we were deeply disappointed when only two of the five members walked onto the stage to play their set. It turns out that, because there was a crowd virtually the size of Lichtenstein, they wanted to give the other three guys a break and just play an acoustic set. This actually ended up being more enjoyable than expected—again, most likely because they were sitting only slightly out of arm’s reach (probably a good call on their part). They joked and played around with us, taking requests for songs that included “Part of Your World” from The Little Mermaid and the Friends theme song. Needless to say, we fell even more deeply in love with them, and our stalking of them spiked immediately following their performance.
Finally, We the Kings came on. I screamed and sang so loud that I practically lost my voice. I jumped up and down like I was the National Double-Dutch Champion. I made eye contact with every member of the band, several times each. I sweated right through my American Apparel tee and constantly got choked by my string of fake pearls. It was pure bliss.
After the show, my dad was more than ready to leave—but Rachael and I had other plans. “We want to meet Travis, dad! We’re waiting until he comes out here! So just hold on!” My stomach filled with every known species of butterfly. My heart pounded like it was made of igneous rock that had formed from the lava flowing through my blood. Travis. Clark. I’m going to meet Travis Clark. The words rang in my head, but I couldn’t process them; I was too overtaken by panic. What will I say? What will I ask? Will he think I’m stupid? Will he think I’m creepy? Can we get a picture? Before I had time to compose myself, he waltzed in through the back door. We were essentially the only people around who seemed to be waiting to meet him, so we cautiously approached him. “You go first!” “No, you go first!” “No, you go talk to him!” “No, you go say hi!” We ended up in front of him, awe-struck, not really knowing what to say. He put on a big grin.
“Hey, there, ladies! Did you like the show?”
“Yeah, oh my god, we loved the show!”
Cool it on the oh-my-gods, self! Get it together!
“I mean, yeah, the show was totally awesome. You guys really rocked out.”
You guys really rocked out? Did I seriously just say that? What is wrong with me?
“You guys are all decked out in blue! I like that! Blue is my favorite color!”
This is pathetic. I can’t bring myself to say anything coherent so we’re talking about his favorite color—which, being a thorough creeper, I already knew?
“Cool. Yeah, I love blue. It’s such a great color.”
I’m sorry, what’s my IQ again? Fourteen? Okay, just checking.
“Um, would you guys like a picture?”
“Yeah, that would be great!”
We pounced on a passerby to have her take the photo. He wrapped his sweaty arms around us, gave a big smile, and said, “Thanks so much for coming out tonight! Glad you liked the show!” And then he was gone.
I can’t say I blame him for getting out of that forest of awkward before we started drooling. I probably would have done the same thing in that situation. And yet I was deeply wounded that he had hurried off so quickly. Travis! Come back! Love me! Hold me! Sign my forehead!
We left the venue and walked to the car in a daze. We had just met a celebrity—and not just any celebrity, a cool, gorgeous, talented ROCKSTAR. It was too much for our tiny bodies to handle. Our systems shut down as soon as we hit the backseat. In my deep REM slumber, I tried to fathom how many coolness points this night would earn me. And even though no one at school the next day had any idea who I was talking about, I wore my We the Kings shirt around proudly, feeling cooler than I had ever felt in my life—and realizing that feeling cool is really what it’s all about anyway.
I continued to stalk (um, I mean, keep loose tabs on) We the Kings and The Cab following that concert. A few months later, after seeing them at Warped Tour, we met the guitarist and had our picture taken with him, too. And though I have grown out of this obsessive phase of my life (mostly), and I now consider the bands that I once loved to be sorry excuses for good music, I still love to bop to some occasional We the Kings or Cobra Starship, remembering how Travis Clark almost proposed to me (we all know he was just being coy, let’s be real).
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| Hunter |




